Laura Dern - "Amy Jellicoe", Enlightened
Zooey Deschanel - "Jessica Day", New Girl
Lena Dunham - "Hannah Horvath", Girls
Tina Fey - "Liz Lemon", 30 Rock
Sutton Foster - "Michelle ", Bunheads
Julia Louis-Dreyfus - "Selina Meyer", Veep
Amy Poehler - "Leslie Knope", Parks and Recreation
I hope to add to this later, but find comedy leads really difficult to write about for whatever reason. A cursory glance at last year's slate indicates a persistent issue there. I could not manage to narrow from seven to six.
Honorable Mentions: Courteney Cox, Cougar Town; Portia DeRossi, Arrested Development; Dakota Johnson, Ben and Kate; Mindy Kaling, The Mindy Project; Jane Levy, Suburgatory; Martha MacIsaac, 1600 Penn; Ashley Rickards, Awkward.; Krysten Ritter, Don't Trust the B* in Apt. 23; AnnaSophia Robb, The Carrie Diaries
Extra points to Robb for gamely taking on a role that might have had even more baggage attached than Mads Mikkelson in Hannibal.
I wouldn't be surprised to see: Jenna Elfman, 1600 Penn; Edie Falco, Nurse Jackie; Patricia Heaton, The Middle; Melissa McCarthy, Mike and Molly; Mary-Louise Parker, Weeds; Martha Plimpton, Raising Hope
For a second, I forgot what Melissa McCarthy's show was called and I almost typed The Heat. I'm not sure the distinction makes a substantive difference to the television academy voters, anyway.
Showing posts with label bunheads. Show all posts
Showing posts with label bunheads. Show all posts
Thursday, July 18, 2013
Dream Emmy Ballot 2013: The Unsubmitted
Post dump! I've been so delinquent about posting this entire calendar year that I really wanted to try to get these in under the wire, pre-nomination announcement.
Natalie Dormer - "Irene Adler", Elementary
I don't expect Elementary to make a big showing among the nominees this year, but was still disappointed to see her name only in play for Game of Thrones. Coming at the end of the season, long after Lucy Liu's Watson had disproved initial suspicions of gimmickry in the show's gender swap, Dormer's performance reinforced the extent to which Elementary is gloriously doing their own thing. For the twist to work, Dormer had to present herself as equally self-assured in Irene's banter-heavy chemistry with Sherlock, and Moriarty's egomaniacal delight in presenting herself as the criminal mastermind.
Raymond J. Barry - "Old Nick", New Girl
Merritt Wever - "Elizabeth", New Girl
Both were standouts in a season where New Girl made a big leap forward in their use of guest stars. Barry's crabby energy made it believable that Nick would entertain the idea that a future version of himself had travelled back through time. And Wever's skill with her particular combination of enthusiasm and deadpan - if there's such a thing as acerbic joie de vivre, she might be the master of it - played perfectly against Max Greenfield in working to undercut Schmidt's vainest tendencies.
Chris Coy - "LP Everett", Treme
Michiel Huisman - "Sonny", Treme
Treme has regrettably never been a big Emmy contender, but still draws upon a number of affecting performances to travel down different paths in the show's New Orleans. Coy's non-native investigative reporter spoke to an enduring belief in the potential for the press as a vehicle for change in the face of an entrenched system designed to resist any accusation of corruption or malfeasance. Huisman, like Andre Royo on The Wire before him, shone in the addiction-downfall-and-redeption storyline this year, something most Treme viewers probably couldn't imagine at the end of the show's first season.
James Wolk - "Bob Benson", Mad Men
I actually flipped back and forth between the Supporting and Guest Actor pdfs a few times because I was so shocked not to see Wolk listed. Among viewers of Mad Men, his performance was the buzziest of the season. As the season progressed, the unrelenting cheeriness of Bob's public face grew more unsettling among the increasingly cynical cast of Mad Men characters, and Wolk excelled in the season's later episodes, letting Bob's mask drop by only millimeters and showing in flickers how fast and hard his mental gears were always turning.
Tony Hale - "Buster Bluth", Arrested Development
I can't have been the only Arrested Development season 4 viewer who felt by the middle of the season like they were constantly wondering, "Where's Buster?" Hale's absence from much of the season was the clearest failure of the show's "film whoever's available" model, and even coming near the end the Buster-focused episode was one of the season's best and most narratively cohesive. The Bluths' maniacal egotism needs Buster's guilelessness to be easier to handle in the aggregate.
Nat Faxon - "Ben Fox", Ben & Kate
Lucy Punch - "BJ", Ben & Kate
Again, I don't blame them for sitting this one out, as Ben & Kate was gone by midseason, left only to the fond memories of its fans. But Faxon and Punch's manic irreverence was key to what made the show unique. I was also disappointed not to see Faxon because I always have trouble filling a full slate in the Lead Actor in a Comedy category.
Cheyenne Jackson - "Billy", Behind the Candelabra
Coming at the beginning of Behind the Candelabra, Jackson's performance quietly signals to film's arc largely through body language. Jackson as Billy refuses to be ignored - it's through his hostile looks and defensive postures that we can see Scott's downfall as Liberace's romantic cycle clicks back to the start again in the last third of the movie.
Jessica Brown Findlay - "Sybil Branson", Downton Abbey
Allen Leech - "Tom Branson", Downton Abbey
I hope Julian Fellowes varies his m.o. a little and kills off fewer characters played by departing actors in future seasons. But it's difficult to quibble with his tactics when they result in an episode as heartbreaking as the one in which Sybil dies in childbirth. In a season where the dramatic engine behind Downton Abbey's storylines often felt rote and uninspired, the unexpected tragedy was affecting, and more, felt historically honest.
Misc. Cast of Bunheads (Bailey Buntain, Emma Dumont, Kaitlyn Jenkins, Julia Goldani Telles)
The young cast of Bunheads are not only skilled, emotive dancers, but jumped in feet-first with Amy Sherman-Palladino's notoriously quick patter and formed the show's strong emotional core.
Misc. Cast of Call the Midwife (Jenny Agutter, Laura Main, Stephen McGann)
Misc. Cast of The Bletchley Circle (Anna Maxwell Martin, Rachael Stirling, Julie Graham, Sophie Rundle)
I'm not surprised that PBS seems to be throwing whatever campaign muscle they have behind Downton Abbey and Mr. Selfridge, but I'd have liked to see more names from Call the Midwife, and any names from The Bletchley Circle. Together, the two shows portrayed a vibrant and complex range of post-World War II womanhood. Sister Bernadette's story in falling in love with Dr. Turner and deciding to leave the order was Call the Midwife's best story arc across its second season. And Anna Maxwell Martin seems able to jump in at any point across the last 200 years of British history with portrayals of quiet yet strong women.
As an addendum, I'll say that I was pleasantly surprised to see a lot of returning players from last year's post show up on the ballot this year. I like to think that the post made it to the eyes of some beleaguered intern toiling in the bowels of a talent agency somewhere tasked with collecting favorable notices of their clients.
Natalie Dormer - "Irene Adler", Elementary
I don't expect Elementary to make a big showing among the nominees this year, but was still disappointed to see her name only in play for Game of Thrones. Coming at the end of the season, long after Lucy Liu's Watson had disproved initial suspicions of gimmickry in the show's gender swap, Dormer's performance reinforced the extent to which Elementary is gloriously doing their own thing. For the twist to work, Dormer had to present herself as equally self-assured in Irene's banter-heavy chemistry with Sherlock, and Moriarty's egomaniacal delight in presenting herself as the criminal mastermind.
Raymond J. Barry - "Old Nick", New Girl
Merritt Wever - "Elizabeth", New Girl
Both were standouts in a season where New Girl made a big leap forward in their use of guest stars. Barry's crabby energy made it believable that Nick would entertain the idea that a future version of himself had travelled back through time. And Wever's skill with her particular combination of enthusiasm and deadpan - if there's such a thing as acerbic joie de vivre, she might be the master of it - played perfectly against Max Greenfield in working to undercut Schmidt's vainest tendencies.
Chris Coy - "LP Everett", Treme
Michiel Huisman - "Sonny", Treme
Treme has regrettably never been a big Emmy contender, but still draws upon a number of affecting performances to travel down different paths in the show's New Orleans. Coy's non-native investigative reporter spoke to an enduring belief in the potential for the press as a vehicle for change in the face of an entrenched system designed to resist any accusation of corruption or malfeasance. Huisman, like Andre Royo on The Wire before him, shone in the addiction-downfall-and-redeption storyline this year, something most Treme viewers probably couldn't imagine at the end of the show's first season.
James Wolk - "Bob Benson", Mad Men
I actually flipped back and forth between the Supporting and Guest Actor pdfs a few times because I was so shocked not to see Wolk listed. Among viewers of Mad Men, his performance was the buzziest of the season. As the season progressed, the unrelenting cheeriness of Bob's public face grew more unsettling among the increasingly cynical cast of Mad Men characters, and Wolk excelled in the season's later episodes, letting Bob's mask drop by only millimeters and showing in flickers how fast and hard his mental gears were always turning.
Tony Hale - "Buster Bluth", Arrested Development
I can't have been the only Arrested Development season 4 viewer who felt by the middle of the season like they were constantly wondering, "Where's Buster?" Hale's absence from much of the season was the clearest failure of the show's "film whoever's available" model, and even coming near the end the Buster-focused episode was one of the season's best and most narratively cohesive. The Bluths' maniacal egotism needs Buster's guilelessness to be easier to handle in the aggregate.
Nat Faxon - "Ben Fox", Ben & Kate
Lucy Punch - "BJ", Ben & Kate
Again, I don't blame them for sitting this one out, as Ben & Kate was gone by midseason, left only to the fond memories of its fans. But Faxon and Punch's manic irreverence was key to what made the show unique. I was also disappointed not to see Faxon because I always have trouble filling a full slate in the Lead Actor in a Comedy category.
Cheyenne Jackson - "Billy", Behind the Candelabra
Coming at the beginning of Behind the Candelabra, Jackson's performance quietly signals to film's arc largely through body language. Jackson as Billy refuses to be ignored - it's through his hostile looks and defensive postures that we can see Scott's downfall as Liberace's romantic cycle clicks back to the start again in the last third of the movie.
Jessica Brown Findlay - "Sybil Branson", Downton Abbey
Allen Leech - "Tom Branson", Downton Abbey
I hope Julian Fellowes varies his m.o. a little and kills off fewer characters played by departing actors in future seasons. But it's difficult to quibble with his tactics when they result in an episode as heartbreaking as the one in which Sybil dies in childbirth. In a season where the dramatic engine behind Downton Abbey's storylines often felt rote and uninspired, the unexpected tragedy was affecting, and more, felt historically honest.
Misc. Cast of Bunheads (Bailey Buntain, Emma Dumont, Kaitlyn Jenkins, Julia Goldani Telles)
The young cast of Bunheads are not only skilled, emotive dancers, but jumped in feet-first with Amy Sherman-Palladino's notoriously quick patter and formed the show's strong emotional core.
Misc. Cast of Call the Midwife (Jenny Agutter, Laura Main, Stephen McGann)
Misc. Cast of The Bletchley Circle (Anna Maxwell Martin, Rachael Stirling, Julie Graham, Sophie Rundle)
I'm not surprised that PBS seems to be throwing whatever campaign muscle they have behind Downton Abbey and Mr. Selfridge, but I'd have liked to see more names from Call the Midwife, and any names from The Bletchley Circle. Together, the two shows portrayed a vibrant and complex range of post-World War II womanhood. Sister Bernadette's story in falling in love with Dr. Turner and deciding to leave the order was Call the Midwife's best story arc across its second season. And Anna Maxwell Martin seems able to jump in at any point across the last 200 years of British history with portrayals of quiet yet strong women.
As an addendum, I'll say that I was pleasantly surprised to see a lot of returning players from last year's post show up on the ballot this year. I like to think that the post made it to the eyes of some beleaguered intern toiling in the bowels of a talent agency somewhere tasked with collecting favorable notices of their clients.
Tuesday, June 12, 2012
Idle TV Thoughts
My brain has latched onto this thought, and now I need to tease it out. So: after watching the Bunheads pilot, I was thinking that the vaguely-alluded-to story of Sasha's gay dad sounded like a lost verse from "At the Ballet" from A Chorus Line. (Yes, as was mentioned at the end of April - I'm still thinking about A Chorus Line and sometimes listening to the soundtrack and I really, really hope they'll go meta there and have like Priscilla Lopez come on and play a former dance colleague of Kelly Bishop's character.) And then I started wondering whether the town in the show being called Paradise is a reference to the line, "It wasn't paradise/But it was home" re: ballet class in the aforementioned song, which is not only Bishop's big number, but is also partially based on her actual life. And then I wondered whether that's too dense a reference even for Amy Sherman-Palladino. But then I remembered seeing this Gilmore Girls episode once where Carole King (singer of the show's theme song) was playing a record store owner in Stars Hollow with "Pleasant Valley Sunday" playing in the background. So who knows. (Please imagine all that being rattled off at rapid speed, ASP-style.)
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